Please note: as a small capacity grassroots theatre, we are unable to offer refunds or exchanges on tickets. No late admittance after 15 minutes!

DANGEROUS GAME
(1993, USA, Abel Ferrara)

PART OF ‘LOS ANGELES HATES ITSELF’
“Turbulence. Redemption. Hollywood”

A New York film director, working on his latest movie in Los Angeles, begins to reflect the actions in his movie and real life, especially when he begins an affair with the lead actress. With Harvey Keitel, Madonna and James Russo.

Doors 5.30pm / 8.30pm

Digital
Friday 15.8
6.30pm - Book Here
9pm - Book Here

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AN EVENING WITH JASON HARVEY (1hr) + QUIGLEY (2003)

A presentation of thoughts and poetry,expressed via a series of short and powerful videos made with the computer.

This will be followed by a presentation of the seminal man becomes dog film “Quigley” (2003).

Shot on a shoestring, packed with attitude, and dripping with cult charisma.

Doors 6pm

Digital
Saturday 16.8
7pm - Book Here

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THE OUTFIT
(1973, USA, John Flynn)

A two-bit criminal takes on the Mafia to avenge his brother’s death. Earl Macklin is a small time criminal who is released from prison after an unsuccessful bank robbery only to discover that a pair of gunmen killed his brother.

Doors 5pm / 8pm

16mm
Tuesday 19.8
6pm - Book Here
8.30pm - Book Here

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HE NEVER DIES: THE FILMS OF KALIL HADDAD
(Short films, Canada, Kalil Haddad)

A programme of Toronto-based experimental filmmaker Kalil Haddad’s incendiary and truly strange work. A retrospective screening that shows a young artist’s evolution over the years, the progression of films tells a unique story: one that grows increasingly disturbing and aesthetically bold, culminating in the truly shocking VICTIM OF CIRCUMSTANCE.

Doors 6pm / 8.30pm

Digital
Wednesday 20.7
7pm - Book Here
9pm - Book Here

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FAT CITY
(1972, USA, John Huston)

“Life is what happens in between rounds.”

Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.

Doors 5.30pm

Digital
Thursday 21.8
6.15pm - Book Here

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BUTCHER, BAKER, NIGHTMARE MAKER
(1981, USA, William Asher)

“She was lonely. He was all she had. No-one would take him from her - and live…”

An orphaned teenager finds himself being dominated by his aunt who’s hell-bent on keeping him with her…at all costs.

Doors 8.15pm

Digital
Thursday 21.8
8.45pm - Book Here

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REFLECTIONS OF EVIL
(2002, USA, Damon Packard)

PART OF ‘LOS ANGELES HATES ITSELF’

A night celebrating outsider artist Damon Packard’s genius low-budget visions.

“Terror Beyond Imagination”

Julie, a teen who died from a PCP overdose in the early ’70s, searches from beyond the grave for her younger brother Bob, who now in the ’90s is an obese watch seller suffering with sucrose intolerance. A very rare UK screening.

Doors 6pm

Digital
Saturday 22.8
7pm - Book Here

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MYSTERY FILM
(?, ?, ?)

The cinematically courageous are welcome to join us for a surprise, seldom screened film.

Adults only, not for the easily offended.

Doors 9.25pm

Digital
Saturday 22.8
9.45pm - Book Here

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SUPERVIXENS
(1975, USA, Russ Meyer)

“Too much… for one movie!”

Clint must flee after his wife is killed by a psychopathic cop, who tries to pin the murder on him.

Truly one of Russ Meyer’s best.

Doors 5.30pm

Digital
Saturday 23.8
6.30pm - Book Here

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UP!
(1976, USA, Russ Meyer)

“If you don’t see Up! … you’ll feel down!”

Adolf Hitler is hiding out in California under the identity of Adolf Schwartz; however, he is soon murdered by a mysterious assailant. This coincides with the arrival of a mysterious woman in a nearby town. Whatever the case might be, nobody seems interested in investigating the crime, but there are many who are interested in her.

Doors 8.30pm

Digital
Saturday 23.8
9pm - Book Here

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FORCE OF EVIL
(1948, USA, Abraham Polonsky)

“The sensational story of a numbers king whose number was up!“

Lawyer Joe Morse wants to consolidate all the small-time numbers racket operators into one big powerful operation. But his elder brother Leo is one of these small-time operators who wants to stay that way, preferring not to deal with the gangsters who dominate the big-time.

Doors 5.30pm / 8pm

16mm
Tuesday 26.8
6pm
8.30pm

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BABY BLOOD
(1990, France, Alan Robak)

“It’s time to feed the baby.”

A cruel circus owner beats and abuses his pregnant wife. One day the circus receives a leopard newly captured in Africa, but the animal soon dies. However, an evil creature that was inside the leopard bursts out of the animal’s body, burrows into the wife’s body and takes over her fetus. It soon starts demanding blood, and the woman goes searching for victims for her new “baby.”

Doors 6pm

Digital
Wednesday 27.8
7pm

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DATE WITH A KIDNAPPER
aka KIDNAPPED CO-ED
(1976, USA, Frederick R. Friedel)

“He only wanted the ransom - until he saw HER!”

A woman living in a boarding house is kidnapped by a small-time criminal. Soon others in the gang try to take her away from him so they can get the ransom.

Doors 8.40pm

Digital
Wednesday 27.8
9pm

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SHRIME TIME: A NIGHT OF BIZARRO UNDERSEEN ANIME

From radical student animation collectives to sun-bleached techno-dystopias and gore-drenched horror, Shrime Time shines where the sun daren’t: revealing the backside of seldom-seen Japanese visual culture.
Expect screenings from the 1960s to the present day, paired with special guests: musicians, artists, researchers and those obsessed with the outermost edges of Japan’s visual imagination.

The Shirime a yōkai (Japanese folkloric spirit and the evenings conveniently misspelled namesake) whose sole purpose is to startle unsuspecting samurai by revealing an eyeball in place of an arsehole. In his sick, twisted way, Shirime embodies the very spirit of B-cinema - a flash of grotesque brilliance, whose origin and intent remain a mystery, leaving the path forever altered.

So come. Sit still in the dark.
Let the rectacular eye stare deep into your curious soul.

The Shrime is watching.

Doors 6pm

Digital
Thursday 28.8
7pm

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MYSTERY FILM
(?, ?, ?)

The cinematically courageous are welcome to join us for a surprise, seldom screened film.

Adults only, not for the easily offended.

Doors 8.30pm

Digital
Thursday 28.8
9pm

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UPTIGHT
(1968, USA, Jules Dassin)

“A man on the run. A life at stake. A people about to explode.”

Black militants building up an arsenal of weapons in preparation for a race war are betrayed by one of their own.

Doors 5pm / 8pm

Digital
Friday 29.8
6pm
8.30pm

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RATS
(2024, USA, Maxwell Nalevansky, Carl Fry)

With video intro by Maxwell Nalevansky

In a surreal small‑town version of 2007 Texas, a young graffiti artist lands in jail and is coerced into spying on his cousin—suspected by an unhinged cop of dealing nuclear weapons. What follows is a frenetic, gross‑humored ride through conspiracy, over-the-top characters, and chaotic counterculture.

Doors 6pm

Digital
Saturday 30.8
7pm

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COMBAT SHOCK
(1986, USA, Buddy Giovinazzo)

With video interview with director Buddy G

“Fighting, killing, maiming. Agent Orange and the torture cages were the easy part!”

A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.

Doors 8.40pm

Digital
Saturday 30.8
9pm

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