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DISCREET CINE PRESENTS: TR BASKIN
(1971, USA, Herbert Ross)
Candice Bergen (Carnal Knowledge and Murphy Brown) is T.R. Baskin, a naïve young woman with a droll sense of humor, who ventures from small town Ohio to the bright lights of Chicago in search of an interesting career, intellectual stimulation, true love and happiness… and instead discovers that the urban existence is as unfulfilling and lonely as the one she fled.
A tender encounter with one man (James Caan) ends with an unfortunate misunderstanding. However, it leads to a therapeutic Sunday afternoon with a sincere traveling salesman (Peter Boyle), who provides hope and encouragement, as he confides in her about his own insecurities and disappointments. Herbert Ross (Footloose and Pennies From Heaven) directs this wryly humorous drama from a perceptive script by Peter Hyams.
Introduced and programmed by Agne Qami
A tender encounter with one man (James Caan) ends with an unfortunate misunderstanding. However, it leads to a therapeutic Sunday afternoon with a sincere traveling salesman (Peter Boyle), who provides hope and encouragement, as he confides in her about his own insecurities and disappointments. Herbert Ross (Footloose and Pennies From Heaven) directs this wryly humorous drama from a perceptive script by Peter Hyams.
Introduced and programmed by Agne Qami
Runtime: 90 mins
Certificate: 18
WWW.RACHELORMONT.COM
(2024, USA, Peter Vack)
Rachel Ormont lives in a tightly controlled dystopian environment where her existence is shaped by advertising, surveillance, and a parasocial relationship with a pop star known as Mommy 6.0. As her sense of self becomes increasingly unstable, the boundaries between identity, media, and performance begin to dissolve in a surreal feedback loop of consumption and control.
A dense, hyper-stylised experiment in digital-era satire, the film collapses internet culture, identity formation, and performance into a fragmented, overwhelming experience. Its abrasive structure and sensory overload aesthetic turn contemporary media life into something both absurd and unsettlingly intimate.
A dense, hyper-stylised experiment in digital-era satire, the film collapses internet culture, identity formation, and performance into a fragmented, overwhelming experience. Its abrasive structure and sensory overload aesthetic turn contemporary media life into something both absurd and unsettlingly intimate.
Runtime: 80 mins
Certificate: 18
